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  • Sotheby's, London, December 5th 2014. World renowned aution house Sotheby's is to offer a collection of British and Continental masters to be sold at auction on December 10th 2014. PICTURED: A woman admires the bold brushstrokes of Joaquin Sorolla's Vuelta de la Pesca, Playa Valencia (The return from fishing, Valencia beach) which is expected to fetch between £1,4 and 1.8million at auction.
    IMG_6419.jpg
  • Sotheby's London, November 28th 2014.Sotheby's hold a preview for their December 3rd sale of Old Master and British Paintings at their Bond Street gallery. The exhibition runs from November 29th to December 3rd. PICTURED: Sotheby's gallery technicians hang  Turner's Rome, From Mount Aventine, the Star Lot in the auction with bids expected to be in the region of £15-20 million.
    IMG_4572.jpg
  • Sotheby's London, November 28th 2014.Sotheby's hold a preview for their December 3rd sale of Old Master and British Paintings at their Bond Street gallery. The exhibition runs from November 29th to December 3rd. PICTURED: Sotheby's gallery technicians hang Canaletto's Venice, the Piazza San Marco Looking East Towards the Basillico, which is expected to fetch up to £7 million at auction.
    IMG_4526.jpg
  • Sotheby's London, November 28th 2014.Sotheby's hold a preview for their December 3rd sale of Old Master and British Paintings at their Bond Street gallery. The exhibition runs from November 29th to December 3rd. PICTURED: A Sotheby's gallery tedchnician hangs Ambrosius Bosschaert the Elder's "Still life of flowers including irises, lillies, narcissi, lilly-of-the-valley and carnations in a tall glass vase, set on a stone ledge", which was painted in 1606. It has an estimated value of up to £900,000 at auction.
    IMG_4661.jpg
  • Sotheby's London, November 28th 2014.Sotheby's hold a preview for their December 3rd sale of Old Master and British Paintings at their Bond Street gallery. The exhibition runs from November 29th to December 3rd. PICTURED: A woman admires  Canaletto's Venice, the Piazza San Marco Looking East Towards the Basillico, which is expected to fetch up to £7 million at auction.
    IMG_4545.jpg
  • London, March 4th 2015. Sotheby's in London hosts "one of the most extraordinary collections of our time", an anonymous collector's vast assembly of fine art pieces, including skulls, bear sculptures, paintings and installations. PICTURED: A woman examines Paola Pivi's "Life Is Great", a giant polar bear sculpture covered in feathers.
    IMG_9635.jpg
  • London, March 4th 2015. Sotheby's in London hosts "one of the most extraordinary collections of our time", an anonymous collector's vast assembly of fine art pieces, including skulls, bear sculptures, paintings and installations. PICTURED: A Sotheby's technician with an art installation entitled Skull, made of marble with facial projections.
    IMG_9695.jpg
  • London, March 4th 2015. Sotheby's in London hosts "one of the most extraordinary collections of our time", an anonymous collector's vast assembly of fine art pieces, including skulls, bear sculptures, paintings and installations. PICTURED: A Sotheby's gallery assistant with an untitled work by Anish Kapoor, which is expected to achieve up to £600,000 at auction.
    IMG_9687.jpg
  • London, March 4th 2015. Sotheby's in London hosts "one of the most extraordinary collections of our time", an anonymous collector's vast assembly of fine art pieces, including skulls, bear sculptures, paintings and installations. PICTURED: Sotheby's technician examines a theatrical prop skull made of walnut and bamboo, which is expected to fetch £800 - £1,000 at auction.
    IMG_9678.jpg
  • London, March 4th 2015. Sotheby's in London hosts "one of the most extraordinary collections of our time", an anonymous collector's vast assembly of fine art pieces, including skulls, bear sculptures, paintings and installations. PICTURED: A gallery worker places a glass skull on a plinth.
    IMG_9659.jpg
  • London, March 4th 2015. Sotheby's in London hosts "one of the most extraordinary collections of our time", an anonymous collector's vast assembly of fine art pieces, including skulls, bear sculptures, paintings and installations. PICTURED: "Diamond In A Goat's Ass (A lyricallyPoetic Euphemism For Pretension), which is expected to fetch between £40-60,000 at auction.
    IMG_9639.jpg
  • London, March 4th 2015. Sotheby's in London hosts "one of the most extraordinary collections of our time", an anonymous collector's vast assembly of fine art pieces, including skulls, bear sculptures, paintings and installations. PICTURED: Sotheby's main gallery presents a surreal picture dominated by Paola Pivi's lifesize feathered polar bear sculpture, Life Is Great.
    IMG_9653.jpg
  • London, March 4th 2015. Sotheby's in London hosts "one of the most extraordinary collections of our time", an anonymous collector's vast assembly of fine art pieces, including skulls, bear sculptures, paintings and installations. PICTURED: "Migraine" by Jake and Dinos Chapman, which is expected to fetch between £20-30,000,
    IMG_9624.jpg
  • London, March 4th 2015. Sotheby's in London hosts "one of the most extraordinary collections of our time", an anonymous collector's vast assembly of fine art pieces, including skulls, bear sculptures, paintings and installations. PICTURED: A Sotheby's gallery worker places a skull made of brass keys into a display.
    IMG_9685.jpg
  • London, March 4th 2015. Sotheby's in London hosts "one of the most extraordinary collections of our time", an anonymous collector's vast assembly of fine art pieces, including skulls, bear sculptures, paintings and installations. PICTURED: A Sotheby's technician examines a theatrical prop skull made of walnut and bamboo, which is expected to fetch £800 - £1,000 at auction.
    IMG_9669.jpg
  • London, October 24 2017. Viewers admire Leonardo da Vinci’s Salvator Mundi ('Saviour of the World') at a gallery preview at Christie’s in London. The painting sold at Christie's in New York on 15 November 2017 for $450.3 million at Christie’s New York, the highest price for any work of art. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-11-16-Da-Vinci-Salvatore-Mundi0...JPG
  • London, October 24 2017. Viewers admire Leonardo da Vinci’s Salvator Mundi ('Saviour of the World') at a gallery preview at Christie’s in London. The painting sold at Christie's in New York on 15 November 2017 for $450.3 million at Christie’s New York, the highest price for any work of art. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-11-16-Da-Vinci-Salvatore-Mundi0...JPG
  • London, October 24 2017. Viewers admire Leonardo da Vinci’s Salvator Mundi ('Saviour of the World') at a gallery preview at Christie’s in London. The painting sold at Christie's in New York on 15 November 2017 for $450.3 million at Christie’s New York, the highest price for any work of art. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-11-16-Da-Vinci-Salvatore-Mundi0...JPG
  • London, October 24 2017. Viewers admire Leonardo da Vinci’s Salvator Mundi ('Saviour of the World') at a gallery preview at Christie’s in London. The painting sold at Christie's in New York on 15 November 2017 for $450.3 million at Christie’s New York, the highest price for any work of art. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-11-16-Da-Vinci-Salvatore-Mundi0...JPG
  • London, October 24 2017. Viewers admire Leonardo da Vinci’s Salvator Mundi ('Saviour of the World') at a gallery preview at Christie’s in London. The painting sold at Christie's in New York on 15 November 2017 for $450.3 million at Christie’s New York, the highest price for any work of art. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-11-16-Da-Vinci-Salvatore-Mundi0...JPG
  • London, October 24 2017. Viewers admire Leonardo da Vinci’s Salvator Mundi ('Saviour of the World') at a gallery preview at Christie’s in London. The painting sold at Christie's in New York on 15 November 2017 for $450.3 million at Christie’s New York, the highest price for any work of art. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-11-16-Da-Vinci-Salvatore-Mundi0...JPG
  • London, October 24 2017. A gallery assistant straightens Leonardo da Vinci’s Salvator Mundi ('Saviour of the World') at a gallery preview at Christie’s in London. The painting sold at Christie's in New York on 15 November 2017 for $450.3 million at Christie’s New York, the highest price for any work of art. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-11-16-Da-Vinci-Salvatore-Mundi0...JPG
  • London, October 24 2017. A member of the press photographs Leonardo da Vinci’s Salvator Mundi ('Saviour of the World') at a gallery preview at Christie’s in London. The painting sold at Christie's in New York on 15 November 2017 for $450.3 million at Christie’s New York, the highest price for any work of art. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-11-16-Da-Vinci-Salvatore-Mundi0...JPG
  • London, October 24 2017. A gallery assistant straightens Leonardo da Vinci’s Salvator Mundi ('Saviour of the World') at a gallery preview at Christie’s in London. The painting sold at Christie's in New York on 15 November 2017 for $450.3 million at Christie’s New York, the highest price for any work of art. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-11-16-Da-Vinci-Salvatore-Mundi0...JPG
  • London, October 24 2017. A gallery assistant straightens Leonardo da Vinci’s Salvator Mundi ('Saviour of the World') at a gallery preview at Christie’s in London. The painting sold at Christie's in New York on 15 November 2017 for $450.3 million at Christie’s New York, the highest price for any work of art. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-11-16-Da-Vinci-Salvatore-Mundi0...JPG
  • London, October 24 2017. A gallery assistant straightens Leonardo da Vinci’s Salvator Mundi ('Saviour of the World') at a gallery preview at Christie’s in London. The painting sold at Christie's in New York on 15 November 2017 for $450.3 million at Christie’s New York, the highest price for any work of art. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-11-16-Da-Vinci-Salvatore-Mundi0...JPG
  • London, October 24 2017. A gallery assistant straightens Leonardo da Vinci’s Salvator Mundi ('Saviour of the World') at a gallery preview at Christie’s in London. The painting sold at Christie's in New York on 15 November 2017 for $450.3 million at Christie’s New York, the highest price for any work of art. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-11-16-Da-Vinci-Salvatore-Mundi0...JPG
  • London, October 24 2017. A gallery assistant straightens Leonardo da Vinci’s Salvator Mundi ('Saviour of the World') at a gallery preview at Christie’s in London. The painting sold at Christie's in New York on 15 November 2017 for $450.3 million at Christie’s New York, the highest price for any work of art. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-11-16-Da-Vinci-Salvatore-Mundi0...JPG
  • London, October 24 2017. A gallery assistant straightens Leonardo da Vinci’s Salvator Mundi ('Saviour of the World') at a gallery preview at Christie’s in London. The painting sold at Christie's in New York on 15 November 2017 for $450.3 million at Christie’s New York, the highest price for any work of art. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-11-16-Da-Vinci-Salvatore-Mundi0...JPG
  • London, October 24 2017. A gallery assistant straightens Leonardo da Vinci’s Salvator Mundi ('Saviour of the World') at a gallery preview at Christie’s in London. The painting sold at Christie's in New York on 15 November 2017 for $450.3 million at Christie’s New York, the highest price for any work of art. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-11-16-Da-Vinci-Salvatore-Mundi0...JPG
  • London, October 24 2017. A gallery assistant straightens Leonardo da Vinci’s Salvator Mundi ('Saviour of the World') at a gallery preview at Christie’s in London. The painting sold at Christie's in New York on 15 November 2017 for $450.3 million at Christie’s New York, the highest price for any work of art. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-11-16-Da-Vinci-Salvatore-Mundi0...JPG
  • London, October 24 2017. A gallery assistant straightens Leonardo da Vinci’s Salvator Mundi ('Saviour of the World') at a gallery preview at Christie’s in London. The painting sold at Christie's in New York on 15 November 2017 for $450.3 million at Christie’s New York, the highest price for any work of art. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-11-16-Da-Vinci-Salvatore-Mundi0...JPG
  • London, October 24 2017. Viewers admire Leonardo da Vinci’s Salvator Mundi ('Saviour of the World'), estimated at $100 million at Christie’s in London, which will be sold in the Post-War and Contemporary Art Evening Auction taking place on 15 November at Christie’s New York. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-10-24-Christies-DaVinci-Paintin...JPG
  • London, October 24 2017. Viewers admire Leonardo da Vinci’s Salvator Mundi ('Saviour of the World'), estimated at $100 million at Christie’s in London, which will be sold in the Post-War and Contemporary Art Evening Auction taking place on 15 November at Christie’s New York. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-10-24-Christies-DaVinci-Paintin...JPG
  • London, October 24 2017. Viewers admire Leonardo da Vinci’s Salvator Mundi ('Saviour of the World'), estimated at $100 million at Christie’s in London, which will be sold in the Post-War and Contemporary Art Evening Auction taking place on 15 November at Christie’s New York. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-10-24-Christies-DaVinci-Paintin...JPG
  • London, October 24 2017. Viewers admire Leonardo da Vinci’s Salvator Mundi ('Saviour of the World'), estimated at $100 million at Christie’s in London, which will be sold in the Post-War and Contemporary Art Evening Auction taking place on 15 November at Christie’s New York. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-10-24-Christies-DaVinci-Paintin...JPG
  • London, October 24 2017. A member of the press photographs Leonardo da Vinci’s Salvator Mundi ('Saviour of the World'), estimated at $100 million at Christie’s in London, which will be sold in the Post-War and Contemporary Art Evening Auction taking place on 15 November at Christie’s New York. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-10-24-Christies-DaVinci-Paintin...JPG
  • London, October 24 2017. A gallery assistant straightens Leonardo da Vinci’s Salvator Mundi ('Saviour of the World'), estimated at $100 million at Christie’s in London, which will be sold in the Post-War and Contemporary Art Evening Auction taking place on 15 November at Christie’s New York. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-10-24-Christies-DaVinci-Paintin...JPG
  • London, October 24 2017. A gallery assistant straightens Leonardo da Vinci’s Salvator Mundi ('Saviour of the World'), estimated at $100 million at Christie’s in London, which will be sold in the Post-War and Contemporary Art Evening Auction taking place on 15 November at Christie’s New York. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-10-24-Christies-DaVinci-Paintin...JPG
  • London, October 24 2017. A gallery assistant straightens Leonardo da Vinci’s Salvator Mundi ('Saviour of the World'), estimated at $100 million at Christie’s in London, which will be sold in the Post-War and Contemporary Art Evening Auction taking place on 15 November at Christie’s New York. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-10-24-Christies-DaVinci-Paintin...JPG
  • London, October 24 2017. A gallery assistant straightens Leonardo da Vinci’s Salvator Mundi ('Saviour of the World'), estimated at $100 million at Christie’s in London, which will be sold in the Post-War and Contemporary Art Evening Auction taking place on 15 November at Christie’s New York. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-10-24-Christies-DaVinci-Paintin...JPG
  • London, October 24 2017. A gallery assistant straightens Leonardo da Vinci’s Salvator Mundi ('Saviour of the World'), estimated at $100 million at Christie’s in London, which will be sold in the Post-War and Contemporary Art Evening Auction taking place on 15 November at Christie’s New York. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-10-24-Christies-DaVinci-Paintin...JPG
  • London, October 24 2017. A gallery assistant straightens Leonardo da Vinci’s Salvator Mundi ('Saviour of the World'), estimated at $100 million at Christie’s in London, which will be sold in the Post-War and Contemporary Art Evening Auction taking place on 15 November at Christie’s New York. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-10-24-Christies-DaVinci-Paintin...JPG
  • London, October 24 2017. A gallery assistant straightens Leonardo da Vinci’s Salvator Mundi ('Saviour of the World'), estimated at $100 million at Christie’s in London, which will be sold in the Post-War and Contemporary Art Evening Auction taking place on 15 November at Christie’s New York. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-10-24-Christies-DaVinci-Paintin...JPG
  • London, October 24 2017. A gallery assistant straightens Leonardo da Vinci’s Salvator Mundi ('Saviour of the World'), estimated at $100 million at Christie’s in London, which will be sold in the Post-War and Contemporary Art Evening Auction taking place on 15 November at Christie’s New York. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-10-24-Christies-DaVinci-Paintin...JPG
  • London, October 24 2017. A gallery assistant straightens Leonardo da Vinci’s Salvator Mundi ('Saviour of the World'), estimated at $100 million at Christie’s in London, which will be sold in the Post-War and Contemporary Art Evening Auction taking place on 15 November at Christie’s New York. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-10-24-Christies-DaVinci-Paintin...JPG
  • London, September 29 2017. Gallery assistants hang Jean-Michel Basquait's 'Red Skull' which features in the Post War and Contemporary Art sale at Christie's in London on XX October 2017. © Paul Davey
    2017-09-29-Christies-preview022.JPG
  • London, September 29 2017. A woman admires Damien Hirst's 'Love Lost' from 1999, featuring 20 live carp in one of the artists signature vitrines, expected to fetch between £1.2-1.8million at Christie's in London during their post war and contemporary art sale on 6th October 2017. © Paul Davey
    2017-09-29-Christies-preview018.JPG
  • London, September 29 2017. Antony Gormley's 'A Case For an Angel', estimated to fetch between £5-7million, dominates the gallery space at Christie's ahead of their Post War and Contemporary Art Sale in London on 6th October 2017. © Paul Davey
    2017-09-29-Christies-preview020.JPG
  • London, September 29 2017. A woman admires Damien Hirst's 'Love Lost' from 1999, featuring 20 live carp in one of the artists signature vitrines, expected to fetch between £1.2-1.8million at Christie's in London during their post war and contemporary art sale on 6th October 2017. © Paul Davey
    2017-09-29-Christies-preview017.JPG
  • London, September 29 2017. A woman admires Damien Hirst's 'Love Lost' from 1999, featuring 20 live carp in one of the artists signature vitrines, expected to fetch between £1.2-1.8million at Christie's in London during their post war and contemporary art sale on 6th October 2017. © Paul Davey
    2017-09-29-Christies-preview016.JPG
  • London, September 29 2017. A woman admires Damien Hirst's 'Love Lost' from 1999, featuring 20 live carp in one of the artists signature vitrines, expected to fetch between £1.2-1.8million at Christie's in London during their post war and contemporary art sale on 6th October 2017. © Paul Davey
    2017-09-29-Christies-preview015.JPG
  • London, September 29 2017. A woman admires Damien Hirst's 'Love Lost' from 1999, featuring 20 live carp in one of the artists signature vitrines, expected to fetch between £1.2-1.8million at Christie's in London during their post war and contemporary art sale on 6th October 2017. © Paul Davey
    2017-09-29-Christies-preview014.JPG
  • Christie's, London, February 24th 2017. Fine art auctioneers Christie's hold a press preview for their Impressionist and Modern Art and Art of the Surreal sale which takes place on 28th February. PICTURED: Gallery staff hang Three studies for a portrait of George Dyer, Francis Bacon's first ever portrait of his great muse, painted in 1963. The paintings were formerly in the collection of Roald Dahl and appear on the auction market for the first time, with they triptych expected to realise between £50-70million.
    ChristiesPressPreview018.jpg
  • Christie's, London, February 24th 2017. Fine art auctioneers Christie's hold a press preview for their Impressionist and Modern Art and Art of the Surreal sale which takes place on 28th February. PICTURED: Gallery staff hang Three studies for a portrait of George Dyer, Francis Bacon's first ever portrait of his great muse, painted in 1963. The paintings were formerly in the collection of Roald Dahl and appear on the auction market for the first time, with they triptych expected to realise between £50-70million.
    ChristiesPressPreview017.jpg
  • Christie's, London, February 24th 2017. Fine art auctioneers Christie's hold a press preview for their Impressionist and Modern Art and Art of the Surreal sale which takes place on 28th February. PICTURED: A woman admires Three studies for a portrait of George Dyer, Francis Bacon's first ever portrait of his great muse, painted in 1963. The paintings were formerly in the collection of Roald Dahl and appear on the auction market for the first time, with they triptych expected to realise between £50-70million.
    ChristiesPressPreview013.jpg
  • Christie's, London, February 24th 2017. Fine art auctioneers Christie's hold a press preview for their Impressionist and Modern Art and Art of the Surreal sale which takes place on 28th February. PICTURED: A woman examines Three studies for a portrait of George Dyer, Francis Bacon's first ever portrait of his great muse, painted in 1963. The paintings were formerly in the collection of Roald Dahl and appear on the auction market for the first time, with they triptych expected to realise between £50-70million.
    ChristiesPressPreview012.jpg
  • Christie's, London, February 24th 2017. Fine art auctioneers Christie's hold a press preview for their Impressionist and Modern Art and Art of the Surreal sale which takes place on 28th February. PICTURED: A woman admires René Magritte's La corde sensible (1960) valued between £14-18 million.
    ChristiesPressPreview010.jpg
  • Christie's, London, February 24th 2017. Fine art auctioneers Christie's hold a press preview for their Impressionist and Modern Art and Art of the Surreal sale which takes place on 28th February. PICTURED: Gallery technicians carry Henri Matisse's  Jeune file aux anemones sir fond violet, painted in 1944 and estimated to fetch between £5-7 million. In the background is Paul Gauguin's Te Fare (La maison) painted in 1892, which has an estimate of between £12-18 million.
    ChristiesPressPreview008.jpg
  • Christie's, London, February 24th 2017. Fine art auctioneers Christie's hold a press preview for their Impressionist and Modern Art and Art of the Surreal sale which takes place on 28th February. Christie's, London, February 24th 2017. Fine art auctioneers Christie's hold a press preview for their Impressionist and Modern Art and Art of the Surreal sale which takes place on 28th February. PICTURED: Gallery technicians hang Paul Gauguin's Te Fare (La maison) painted in 1892, which has an estimate of between £12-18 million.
    ChristiesPressPreview004.jpg
  • Christie's, London, February 24th 2017. Fine art auctioneers Christie's hold a press preview for their Impressionist and Modern Art and Art of the Surreal sale which takes place on 28th February. PICTURED: Gallery technicians hang Paul Gauguin's Te Fare (La maison) painted in 1892, which has an estimate of between £12-18 million.
    ChristiesPressPreview003.jpg
  • Christie's, London, February 24th 2017. Fine art auctioneers Christie's hold a press preview for their Impressionist and Modern Art and Art of the Surreal sale which takes place on 28th February. PICTURED: A woman poses in the Salvador Dali 'Face' installation comprising three lots, from left to right, L'oeil fleuri, décor pour le ballet Tristan fou painted in 1944 and estimated to fetch between £350,000 - 550,000, Dali's iconic Mae West Lips sofa expected to fetch between £400,000 - 600,000, and a second version of  L'oeil fleuri, décor pour le ballet Tristan fou, again worth between £350,000 and 550,000.
    ChristiesPressPreview001.jpg
  • Christie's, London, February 24th 2017. Fine art auctioneers Christie's hold a press preview for their Impressionist and Modern Art and Art of the Surreal sale which takes place on 28th February. PICTURED: A woman poses in the Salvador Dali 'Face' installation comprising three lots, from left to right, L'oeil fleuri, décor pour le ballet Tristan fou painted in 1944 and estimated to fetch between £350,000 - 550,000, Dali's iconic Mae West Lips sofa expected to fetch between £400,000 - 600,000, and a second version of  L'oeil fleuri, décor pour le ballet Tristan fou, again worth between £350,000 and 550,000.
    ChristiesPressPreview002.jpg
  • London, October 24 2017. Viewers admire Leonardo da Vinci’s Salvator Mundi ('Saviour of the World') at a gallery preview at Christie’s in London. The painting sold at Christie's in New York on 15 November 2017 for $450.3 million at Christie’s New York, the highest price for any work of art. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-11-16-Da-Vinci-Salvatore-Mundi0...JPG
  • London, October 24 2017. A gallery assistant straightens Leonardo da Vinci’s Salvator Mundi ('Saviour of the World') at a gallery preview at Christie’s in London. The painting sold at Christie's in New York on 15 November 2017 for $450.3 million at Christie’s New York, the highest price for any work of art. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-11-16-Da-Vinci-Salvatore-Mundi0...JPG
  • London, October 24 2017. A gallery assistant straightens Leonardo da Vinci’s Salvator Mundi ('Saviour of the World') at a gallery preview at Christie’s in London. The painting sold at Christie's in New York on 15 November 2017 for $450.3 million at Christie’s New York, the highest price for any work of art. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-11-16-Da-Vinci-Salvatore-Mundi0...JPG
  • London, October 24 2017. A gallery assistant straightens Leonardo da Vinci’s Salvator Mundi ('Saviour of the World') at a gallery preview at Christie’s in London. The painting sold at Christie's in New York on 15 November 2017 for $450.3 million at Christie’s New York, the highest price for any work of art. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-11-16-Da-Vinci-Salvatore-Mundi0...JPG
  • London, October 24 2017. Viewers admire Leonardo da Vinci’s Salvator Mundi ('Saviour of the World'), estimated at $100 million at Christie’s in London, which will be sold in the Post-War and Contemporary Art Evening Auction taking place on 15 November at Christie’s New York. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-10-24-Christies-DaVinci-Paintin...JPG
  • London, October 24 2017. Viewers admire Leonardo da Vinci’s Salvator Mundi ('Saviour of the World'), estimated at $100 million at Christie’s in London, which will be sold in the Post-War and Contemporary Art Evening Auction taking place on 15 November at Christie’s New York. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-10-24-Christies-DaVinci-Paintin...JPG
  • London, October 24 2017. Viewers admire Leonardo da Vinci’s Salvator Mundi ('Saviour of the World'), estimated at $100 million at Christie’s in London, which will be sold in the Post-War and Contemporary Art Evening Auction taking place on 15 November at Christie’s New York. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-10-24-Christies-DaVinci-Paintin...JPG
  • London, October 24 2017. A gallery assistant straightens Leonardo da Vinci’s Salvator Mundi ('Saviour of the World'), estimated at $100 million at Christie’s in London, which will be sold in the Post-War and Contemporary Art Evening Auction taking place on 15 November at Christie’s New York. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-10-24-Christies-DaVinci-Paintin...JPG
  • London, October 24 2017. A gallery assistant straightens Leonardo da Vinci’s Salvator Mundi ('Saviour of the World'), estimated at $100 million at Christie’s in London, which will be sold in the Post-War and Contemporary Art Evening Auction taking place on 15 November at Christie’s New York. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-10-24-Christies-DaVinci-Paintin...JPG
  • London, October 24 2017. A gallery assistant straightens Leonardo da Vinci’s Salvator Mundi ('Saviour of the World'), estimated at $100 million at Christie’s in London, which will be sold in the Post-War and Contemporary Art Evening Auction taking place on 15 November at Christie’s New York. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-10-24-Christies-DaVinci-Paintin...JPG
  • London, October 24 2017. A gallery assistant straightens Leonardo da Vinci’s Salvator Mundi ('Saviour of the World'), estimated at $100 million at Christie’s in London, which will be sold in the Post-War and Contemporary Art Evening Auction taking place on 15 November at Christie’s New York. The painting is one of fewer than 20 known paintings by Leonardo, and the only one in private hands. © Paul Davey
    2017-10-24-Christies-DaVinci-Paintin...JPG
  • London, September 29 2017. Antony Gormley's 'A Case For an Angel', estimated to fetch between £5-7million, dominates the gallery space at Christie's ahead of their Post War and Contemporary Art Sale in London on 6th October 2017. © Paul Davey
    2017-09-29-Christies-preview021.JPG
  • London, September 29 2017. Antony Gormley's 'A Case For an Angel', estimated to fetch between £5-7million, dominates the gallery space at Christie's ahead of their Post War and Contemporary Art Sale in London on 6th October 2017. © Paul Davey
    2017-09-29-Christies-preview019.JPG
  • Christie's, London, February 24th 2017. Fine art auctioneers Christie's hold a press preview for their Impressionist and Modern Art and Art of the Surreal sale which takes place on 28th February. PICTURED: Gallery staff hang Three studies for a portrait of George Dyer, Francis Bacon's first ever portrait of his great muse, painted in 1963. The paintings were formerly in the collection of Roald Dahl and appear on the auction market for the first time, with they triptych expected to realise between £50-70million.
    ChristiesPressPreview015.jpg
  • Christie's, London, February 24th 2017. Fine art auctioneers Christie's hold a press preview for their Impressionist and Modern Art and Art of the Surreal sale which takes place on 28th February. PICTURED: Gallery staff hang Three studies for a portrait of George Dyer, Francis Bacon's first ever portrait of his great muse, painted in 1963. The paintings were formerly in the collection of Roald Dahl and appear on the auction market for the first time, with they triptych expected to realise between £50-70million.
    ChristiesPressPreview016.jpg
  • Christie's, London, February 24th 2017. Fine art auctioneers Christie's hold a press preview for their Impressionist and Modern Art and Art of the Surreal sale which takes place on 28th February. PICTURED: Gallery staff hang Three studies for a portrait of George Dyer, Francis Bacon's first ever portrait of his great muse, painted in 1963. The paintings were formerly in the collection of Roald Dahl and appear on the auction market for the first time, with they triptych expected to realise between £50-70million.
    ChristiesPressPreview014.jpg
  • Christie's, London, February 24th 2017. Fine art auctioneers Christie's hold a press preview for their Impressionist and Modern Art and Art of the Surreal sale which takes place on 28th February. PICTURED: A woman examines Three studies for a portrait of George Dyer, Francis Bacon's first ever portrait of his great muse, painted in 1963. The paintings were formerly in the collection of Roald Dahl and appear on the auction market for the first time, with they triptych expected to realise between £50-70million.
    ChristiesPressPreview011.jpg
  • Christie's, London, February 24th 2017. Fine art auctioneers Christie's hold a press preview for their Impressionist and Modern Art and Art of the Surreal sale which takes place on 28th February. PICTURED: A woman passes René Magritte's La corde sensible (1960) valued between £14-18 million.
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  • Christie's, London, February 24th 2017. Fine art auctioneers Christie's hold a press preview for their Impressionist and Modern Art and Art of the Surreal sale which takes place on 28th February. Christie's, London, February 24th 2017. Fine art auctioneers Christie's hold a press preview for their Impressionist and Modern Art and Art of the Surreal sale which takes place on 28th February. PICTURED: Gallery technicians hang Paul Gauguin's Te Fare (La maison) painted in 1892, which has an estimate of between £12-18 million.
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  • Christie's, London, February 24th 2017. Fine art auctioneers Christie's hold a press preview for their Impressionist and Modern Art and Art of the Surreal sale which takes place on 28th February. PICTURED: Gallery technicians carry Henri Matisse's  Jeune file aux anemones sir fond violet, painted in 1944 and estimated to fetch between £5-7 million. In the background is Paul Gauguin's Te Fare (La maison) painted in 1892, which has an estimate of between £12-18 million.
    ChristiesPressPreview007.jpg
  • Christie's, London, February 24th 2017. Fine art auctioneers Christie's hold a press preview for their Impressionist and Modern Art and Art of the Surreal sale which takes place on 28th February. Christie's, London, February 24th 2017. Fine art auctioneers Christie's hold a press preview for their Impressionist and Modern Art and Art of the Surreal sale which takes place on 28th February. PICTURED: Gallery technicians hang Paul Gauguin's Te Fare (La maison) painted in 1892, which has an estimate of between £12-18 million.
    ChristiesPressPreview005.jpg
  • London, September 29 2017. Allen Jone's 'mannequin 'Hatstand (£600,000 - 800,000) together with his 'Chair' (£600,000 - 800,000) and Gaetano Pesce's 'An Important Moloch Floor Lamp (£60,000 - 80,000) create a tableau with Helmut Newton's photograph 'Charlotte RamplingAt the Hotel Nord Pinus, Arles, France, 1973, (£200,000-300,000) at Christie's Masterpieces of Design and Photography sale in London on 3rd October 2017. © Paul Davey
    2017-09-29-Christies-preview013.JPG
  • London, September 29 2017. A gallery assistant polishes Marc Newson's  A Lochkeed Lounge (£1-1.5million) to be auctioned during the Masterpieces of Design and Photography sale in London on 3rd October 2017. © Paul Davey
    2017-09-29-Christies-preview012.JPG
  • London, September 29 2017. A woman admires Gilbert & George's Red Morning Hell (£800,000 - 1,2million) to be auctioned at Christie's Masterpieces of Design and Photography sale in London on 3rd October 2017. © Paul Davey
    2017-09-29-Christies-preview011.JPG
  • London, September 29 2017. Allen Jone's 'mannequin 'Hatstand (£600,000 - 800,000) together with his 'Table (£600,000 - 800,000) and Gaetano Pesce's 'An Important Moloch Floor Lamp (£60,000 - 80,000) create a tableau with Helmut Newton's photograph 'Charlotte RamplingAt the Hotel Nord Pinus, Arles, France, 1973, (£200,000-300,000) at Christie's Masterpieces of Design and Photography sale in London on 3rd October 2017. © Paul Davey
    2017-09-29-Christies-preview008.JPG
  • London, September 29 2017. Gallery assistants (reflected on Marc Newson's Event Horizon Table, estimated at between £100,000 - 150,000) hang Wolfgang Tillman's Urgency XVI, estimated to fetch between £300,000 - 500,000 at Christie's Masterpieces of Design and Photography sale in London on 3rd October 2017. © Paul Davey
    2017-09-29-Christies-preview007.JPG
  • London, September 29 2017. A member of Christie's staff straightens Andy Warhol's Coke Bottle (1962), which is expected to fetch between £1.8 - 2.5 million at auction on October 3rd during Frieze Week at Christie's in London. Coke Bottle is the first branded object depicted by Warhol. © Paul Davey
    2017-09-29-Christies-preview003.JPG
  • London, September 29 2017. A woman gazes at Andy Warhol's Coke Bottle, (1962) which is expected to fetch between £1.8-2.5 million at auction on October 3rd during Frieze Week at Christie's in London. Coke Bottle is the first branded object depicted by Warhol. © Paul Davey
    2017-09-29-Christies-preview002.JPG
  • London, September 29 2017. A woman gazes at Andy Warhol's Coke Bottle, (1962) which is expected to fetch between £1.8-2.5 million at auction on October 3rd during Frieze Week at Christie's in London. Coke Bottle is the first branded object depicted by Warhol. © Paul Davey
    2017-09-29-Christies-preview001.JPG
  • London, September 29 2017. A gallery assistant polishes Marc Newson's Event Horizon Table, estimated at between £100,000 - 150,000), with  Wolfgang Tillman's Urgency XVI, estimated to fetch between £300,000 - 500,000 in the background at Christie's Masterpieces of Design and Photography sale in London on 3rd October 2017. © Paul Davey
    2017-09-29-Christies-preview010.JPG
  • London, September 29 2017. Allen Jone's 'mannequin 'Hatstand (£600,000 - 800,000) together with his 'Table (£600,000 - 800,000) and Gaetano Pesce's 'An Important Moloch Floor Lamp (£60,000 - 80,000) create a tableau with Helmut Newton's photograph 'Charlotte RamplingAt the Hotel Nord Pinus, Arles, France, 1973, (£200,000-300,000) at Christie's Masterpieces of Design and Photography sale in London on 3rd October 2017. © Paul Davey
    2017-09-29-Christies-preview009.JPG
  • London, September 29 2017. A member of Christie's staff adjusts the positioning of Alberto Giacometti's Homme (Apollon) sculpture in bronze with a golden brown patina on, which is expected to fetch between £800,000 and 1.2million at auction on October 3rd during Frieze Week at Christie's in London. © Paul Davey
    2017-09-29-Christies-preview006.JPG
  • London, September 29 2017. A member of Christie's staff examines  Alberto Giacometti's Homme (Apollon) sculpture in bronze with a golden brown patina, which is expected to fetch between £800,000 and 1.2million at auction on October 3rd during Frieze Week at Christie's in London. © Paul Davey
    2017-09-29-Christies-preview005.JPG
  • London, September 29 2017. A member of Christie's staff straightens Lucio Fontana' Concetto Spaziale Attesa, estimated to fetch between £400,000-600,000 at auction October 3rd during Frieze Week at Christie's in London. © Paul Davey
    2017-09-29-Christies-preview004.JPG
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