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  • London, September 18th 2015. A woman interacts with Curiosity Cloud by mischer’traxler for Perrier-Jouet. The installation comprises 250 mouth-blown glass globes hang from the ceiling. Each bulb contains a single, hand-made insect. <br />
From a distance the insects are calm but as visitors approach, they come to life, fluttering and trilling as they batter the glass that contains them. The Victoria and Albert museum celebrates the London Design Festival which runs from 19 – 27 September, with a collection of conceptual installation artworks.
    London-Design-Festival-8155.jpg
  • London, September 18th 2015. Designers Laetitia de Allegri and Matteo Fogale present their installation "Mise en Abyme", made of coloursed acryllic panels layered across the length of the V&A's Medieval Renaissance Bridge and presenting an interpretation of perspective in a three dimensional space. The Victoria and Albert museum celebrates the London Design Festival runs from 19 – 27 September  with a collection of conceptual installation artworks.
    London-Design-Festival-8595.jpg
  • London, September 18th 2015. Designers Laetitia de Allegri and Matteo Fogale present their installation "Mise en Abyme", made of coloursed acryllic panels layered across the length of the V&A's Medieval Renaissance Bridge and presenting an interpretation of perspective in a three dimensional space. The Victoria and Albert museum celebrates the London Design Festival runs from 19 – 27 September  with a collection of conceptual installation artworks.
    London-Design-Festival-8666.jpg
  • London, September 18th 2015. Designers Laetitia de Allegri and Matteo Fogale present their installation "Mise en Abyme", made of coloursed acryllic panels layered across the length of the V&A's Medieval Renaissance Bridge and presenting an interpretation of perspective in a three dimensional space. The Victoria and Albert museum celebrates the London Design Festival runs from 19 – 27 September  with a collection of conceptual installation artworks.
    London-Design-Festival-8638.jpg
  • London, September 18th 2015. Designers Laetitia de Allegri and Matteo Fogale present their installation "Mise en Abyme", made of coloursed acryllic panels layered across the length of the V&A's Medieval Renaissance Bridge and presenting an interpretation of perspective in a three dimensional space. The Victoria and Albert museum celebrates the London Design Festival runs from 19 – 27 September  with a collection of conceptual installation artworks.
    London-Design-Festival-8564.jpg
  • London, September 18th 2015. Zotem, supported by Swarovski.<br />
This 18m tall double-sided monolith stretches up two floors from the entrance through to the Ceramics Gallery. <br />
It was created by young Norwegian designer Kim Thomé and presents a dynamic optical illusion.<br />
 The Victoria and Albert museum celebrates the London Design Festival, which runs from 19 – 27 September, with a collection of conceptual installation artworks.
    London-Design-Festival-8539.jpg
  • London, September 18th 2015. Zotem, supported by Swarovski.<br />
This 18m tall double-sided monolith stretches up two floors from the entrance through to the Ceramics Gallery. <br />
It was created by young Norwegian designer Kim Thomé and presents a dynamic optical illusion.<br />
 The Victoria and Albert museum celebrates the London Design Festival, which runs from 19 – 27 September, with a collection of conceptual installation artworks.
    London-Design-Festival-8518.jpg
  • London, September 18th 2015. Zotem, supported by Swarovski.<br />
This 18m tall double-sided monolith stretches up two floors from the entrance through to the Ceramics Gallery. <br />
It was created by young Norwegian designer Kim Thomé and presents a dynamic optical illusion.<br />
 The Victoria and Albert museum celebrates the London Design Festival, which runs from 19 – 27 September, with a collection of conceptual installation artworks.
    London-Design-Festival-8463.jpg
  • London, September 18th 2015. A woman examines The Ogham Wall by Grafton Architects. Resembling Irish and British standing stones, these 23 ‘fins’ carry an ancient alphabet which originated deep in Irish Celtic history. The Victoria and Albert museum celebrates the London Design Festival runs from 19 – 27 September, displaying a collection of conceptual installation artworks.
    London-Design-Festival-8443.jpg
  • London, September 18th 2015. A woman examines The Ogham Wall by Grafton Architects. Resembling Irish and British standing stones, these 23 ‘fins’ carry an ancient alphabet which originated deep in Irish Celtic history. The Victoria and Albert museum celebrates the London Design Festival runs from 19 – 27 September, displaying a collection of conceptual installation artworks.
    London-Design-Festival-8393.jpg
  • London, September 18th 2015. A woman examines The Ogham Wall by Grafton Architects. Resembling Irish and British standing stones, these 23 ‘fins’ carry an ancient alphabet which originated deep in Irish Celtic history. The Victoria and Albert museum celebrates the London Design Festival runs from 19 – 27 September, displaying a collection of conceptual installation artworks.
    London-Design-Festival-8347.jpg
  • London, September 18th 2015. A woman interacts with Curiosity Cloud by mischer’traxler for Perrier-Jouet. The installation comprises 250 mouth-blown glass globes hang from the ceiling. Each bulb contains a single, hand-made insect. <br />
From a distance the insects are calm but as visitors approach, they come to life, fluttering and trilling as they batter the glass that contains them. The Victoria and Albert museum celebrates the London Design Festival which runs from 19 – 27 September, with a collection of conceptual installation artworks.
    London-Design-Festival-8268.jpg
  • London, September 18th 2015. A woman interacts with Curiosity Cloud by mischer’traxler for Perrier-Jouet. The installation comprises 250 mouth-blown glass globes hang from the ceiling. Each bulb contains a single, hand-made insect. <br />
From a distance the insects are calm but as visitors approach, they come to life, fluttering and trilling as they batter the glass that contains them. The Victoria and Albert museum celebrates the London Design Festival which runs from 19 – 27 September, with a collection of conceptual installation artworks.
    London-Design-Festival-8258.jpg
  • London, September 18th 2015. A woman interacts with Curiosity Cloud by mischer’traxler for Perrier-Jouet. The installation comprises 250 mouth-blown glass globes hang from the ceiling. Each bulb contains a single, hand-made insect. <br />
From a distance the insects are calm but as visitors approach, they come to life, fluttering and trilling as they batter the glass that contains them. The Victoria and Albert museum celebrates the London Design Festival which runs from 19 – 27 September, with a collection of conceptual installation artworks.
    London-Design-Festival-8230.jpg
  • London, September 18th 2015. A woman interacts with Curiosity Cloud by mischer’traxler for Perrier-Jouet. The installation comprises 250 mouth-blown glass globes hang from the ceiling. Each bulb contains a single, hand-made insect. <br />
From a distance the insects are calm but as visitors approach, they come to life, fluttering and trilling as they batter the glass that contains them. The Victoria and Albert museum celebrates the London Design Festival which runs from 19 – 27 September, with a collection of conceptual installation artworks.
    London-Design-Festival-8183.jpg
  • London, September 18th 2015. Designers Laetitia de Allegri and Matteo Fogale present their installation "Mise en Abyme", made of coloursed acryllic panels layered across the length of the V&A's Medieval Renaissance Bridge and presenting an interpretation of perspective in a three dimensional space. The Victoria and Albert museum celebrates the London Design Festival runs from 19 – 27 September  with a collection of conceptual installation artworks.
    London-Design-Festival-8713.jpg
  • London, September 18th 2015. Designers Laetitia de Allegri and Matteo Fogale present their installation "Mise en Abyme", made of coloursed acryllic panels layered across the length of the V&A's Medieval Renaissance Bridge and presenting an interpretation of perspective in a three dimensional space. The Victoria and Albert museum celebrates the London Design Festival runs from 19 – 27 September  with a collection of conceptual installation artworks.
    London-Design-Festival-8687.jpg
  • London, September 18th 2015. Designers Laetitia de Allegri and Matteo Fogale present their installation "Mise en Abyme", made of coloursed acryllic panels layered across the length of the V&A's Medieval Renaissance Bridge and presenting an interpretation of perspective in a three dimensional space. The Victoria and Albert museum celebrates the London Design Festival runs from 19 – 27 September  with a collection of conceptual installation artworks.
    London-Design-Festival-8555.jpg
  • London, September 18th 2015. Zotem, supported by Swarovski.<br />
This 18m tall double-sided monolith stretches up two floors from the entrance through to the Ceramics Gallery. <br />
It was created by young Norwegian designer Kim Thomé and presents a dynamic optical illusion.<br />
 The Victoria and Albert museum celebrates the London Design Festival, which runs from 19 – 27 September, with a collection of conceptual installation artworks.
    London-Design-Festival-8491.jpg
  • London, September 18th 2015. A woman examines The Ogham Wall by Grafton Architects. Resembling Irish and British standing stones, these 23 ‘fins’ carry an ancient alphabet which originated deep in Irish Celtic history. The Victoria and Albert museum celebrates the London Design Festival runs from 19 – 27 September, displaying a collection of conceptual installation artworks.
    London-Design-Festival-8353.jpg
  • London, September 18th 2015. A woman examines The Ogham Wall by Grafton Architects. Resembling Irish and British standing stones, these 23 ‘fins’ carry an ancient alphabet which originated deep in Irish Celtic history. The Victoria and Albert museum celebrates the London Design Festival runs from 19 – 27 September, displaying a collection of conceptual installation artworks.
    London-Design-Festival-8316.jpg
  • London, September 29 2017. Gallery assistants hang Jean-Michel Basquait's 'Red Skull' which features in the Post War and Contemporary Art sale at Christie's in London on XX October 2017. © Paul Davey
    2017-09-29-Christies-preview022.JPG
  • London, September 29 2017. A woman admires Damien Hirst's 'Love Lost' from 1999, featuring 20 live carp in one of the artists signature vitrines, expected to fetch between £1.2-1.8million at Christie's in London during their post war and contemporary art sale on 6th October 2017. © Paul Davey
    2017-09-29-Christies-preview014.JPG
  • Christie's, London, March 3rd 2017. PICTURED: Gallery visitors admire Peter Doig's 'Cobourg 3 + 1 More' which is expected to fetch between £8-12 million.  <br />
Fine art auctioneers Christies hold a press preview for their Post-War and Contemporary Art auctions to be held on March 7th and 8th.
    Christies-post-war-contemp-preview03...jpg
  • Christie's, London, March 3rd 2017. PICTURED: Gallery workers straighten Jean Dubuffet's Étra et paraitre (To Be and To Seem), oil on canvass, which is expected to fetch between £7-10 million. <br />
Fine art auctioneers Christies hold a press preview for their Post-War and Contemporary Art auctions to be held on March 7th and 8th.
    Christies-post-war-contemp-preview02...jpg
  • London, September 29 2017. Antony Gormley's 'A Case For an Angel', estimated to fetch between £5-7million, dominates the gallery space at Christie's ahead of their Post War and Contemporary Art Sale in London on 6th October 2017. © Paul Davey
    2017-09-29-Christies-preview021.JPG
  • London, September 29 2017. A woman admires Damien Hirst's 'Love Lost' from 1999, featuring 20 live carp in one of the artists signature vitrines, expected to fetch between £1.2-1.8million at Christie's in London during their post war and contemporary art sale on 6th October 2017. © Paul Davey
    2017-09-29-Christies-preview018.JPG
  • London, September 29 2017. Antony Gormley's 'A Case For an Angel', estimated to fetch between £5-7million, dominates the gallery space at Christie's ahead of their Post War and Contemporary Art Sale in London on 6th October 2017. © Paul Davey
    2017-09-29-Christies-preview020.JPG
  • London, September 29 2017. Antony Gormley's 'A Case For an Angel', estimated to fetch between £5-7million, dominates the gallery space at Christie's ahead of their Post War and Contemporary Art Sale in London on 6th October 2017. © Paul Davey
    2017-09-29-Christies-preview019.JPG
  • London, September 29 2017. A woman admires Damien Hirst's 'Love Lost' from 1999, featuring 20 live carp in one of the artists signature vitrines, expected to fetch between £1.2-1.8million at Christie's in London during their post war and contemporary art sale on 6th October 2017. © Paul Davey
    2017-09-29-Christies-preview017.JPG
  • London, September 29 2017. A woman admires Damien Hirst's 'Love Lost' from 1999, featuring 20 live carp in one of the artists signature vitrines, expected to fetch between £1.2-1.8million at Christie's in London during their post war and contemporary art sale on 6th October 2017. © Paul Davey
    2017-09-29-Christies-preview016.JPG
  • London, September 29 2017. A woman admires Damien Hirst's 'Love Lost' from 1999, featuring 20 live carp in one of the artists signature vitrines, expected to fetch between £1.2-1.8million at Christie's in London during their post war and contemporary art sale on 6th October 2017. © Paul Davey
    2017-09-29-Christies-preview015.JPG
  • London, September 29 2017. Allen Jone's 'mannequin 'Hatstand (£600,000 - 800,000) together with his 'Chair' (£600,000 - 800,000) and Gaetano Pesce's 'An Important Moloch Floor Lamp (£60,000 - 80,000) create a tableau with Helmut Newton's photograph 'Charlotte RamplingAt the Hotel Nord Pinus, Arles, France, 1973, (£200,000-300,000) at Christie's Masterpieces of Design and Photography sale in London on 3rd October 2017. © Paul Davey
    2017-09-29-Christies-preview013.JPG
  • London, September 29 2017. A woman admires Gilbert & George's Red Morning Hell (£800,000 - 1,2million) to be auctioned at Christie's Masterpieces of Design and Photography sale in London on 3rd October 2017. © Paul Davey
    2017-09-29-Christies-preview011.JPG
  • London, September 29 2017. Allen Jone's 'mannequin 'Hatstand (£600,000 - 800,000) together with his 'Table (£600,000 - 800,000) and Gaetano Pesce's 'An Important Moloch Floor Lamp (£60,000 - 80,000) create a tableau with Helmut Newton's photograph 'Charlotte RamplingAt the Hotel Nord Pinus, Arles, France, 1973, (£200,000-300,000) at Christie's Masterpieces of Design and Photography sale in London on 3rd October 2017. © Paul Davey
    2017-09-29-Christies-preview008.JPG
  • London, September 29 2017. Allen Jone's 'mannequin 'Hatstand (£600,000 - 800,000) together with his 'Table (£600,000 - 800,000) and Gaetano Pesce's 'An Important Moloch Floor Lamp (£60,000 - 80,000) create a tableau with Helmut Newton's photograph 'Charlotte RamplingAt the Hotel Nord Pinus, Arles, France, 1973, (£200,000-300,000) at Christie's Masterpieces of Design and Photography sale in London on 3rd October 2017. © Paul Davey
    2017-09-29-Christies-preview009.JPG
  • London, September 29 2017. Gallery assistants (reflected on Marc Newson's Event Horizon Table, estimated at between £100,000 - 150,000) hang Wolfgang Tillman's Urgency XVI, estimated to fetch between £300,000 - 500,000 at Christie's Masterpieces of Design and Photography sale in London on 3rd October 2017. © Paul Davey
    2017-09-29-Christies-preview007.JPG
  • London, September 29 2017. A member of Christie's staff examines  Alberto Giacometti's Homme (Apollon) sculpture in bronze with a golden brown patina, which is expected to fetch between £800,000 and 1.2million at auction on October 3rd during Frieze Week at Christie's in London. © Paul Davey
    2017-09-29-Christies-preview005.JPG
  • London, September 29 2017. A member of Christie's staff straightens Lucio Fontana' Concetto Spaziale Attesa, estimated to fetch between £400,000-600,000 at auction October 3rd during Frieze Week at Christie's in London. © Paul Davey
    2017-09-29-Christies-preview004.JPG
  • London, September 29 2017. A member of Christie's staff straightens Andy Warhol's Coke Bottle (1962), which is expected to fetch between £1.8 - 2.5 million at auction on October 3rd during Frieze Week at Christie's in London. Coke Bottle is the first branded object depicted by Warhol. © Paul Davey
    2017-09-29-Christies-preview003.JPG
  • London, September 29 2017. A woman gazes at Andy Warhol's Coke Bottle, (1962) which is expected to fetch between £1.8-2.5 million at auction on October 3rd during Frieze Week at Christie's in London. Coke Bottle is the first branded object depicted by Warhol. © Paul Davey
    2017-09-29-Christies-preview002.JPG
  • London, September 29 2017. A woman gazes at Andy Warhol's Coke Bottle, (1962) which is expected to fetch between £1.8-2.5 million at auction on October 3rd during Frieze Week at Christie's in London. Coke Bottle is the first branded object depicted by Warhol. © Paul Davey
    2017-09-29-Christies-preview001.JPG
  • Christie's, London, March 3rd 2017. PICTURED: Gallery visitors admire Peter Doig's 'Cobourg 3 + 1 More' which is expected to fetch between £8-12 million. <br />
Fine art auctioneers Christies hold a press preview for their Post-War and Contemporary Art auctions to be held on March 7th and 8th.
    Christies-post-war-contemp-preview03...jpg
  • Christie's, London, March 3rd 2017. PICTURED: Gallery visitors admire Peter Doig's 'Cobourg 3 + 1 More' which is expected to fetch between £8--12 million. <br />
Fine art auctioneers Christies hold a press preview for their Post-War and Contemporary Art auctions to be held on March 7th and 8th.
    Christies-post-war-contemp-preview03...jpg
  • Christie's, London, March 3rd 2017. PICTURED: A woman admires David Hockney's 'Sunflowers In A Yellow Vase', painted in 1996, which is expected to fetch between £1.5-2.5 million.<br />
Fine art auctioneers Christies hold a press preview for their Post-War and Contemporary Art auctions to be held on March 7th and 8th.
    Christies-post-war-contemp-preview03...jpg
  • Christie's, London, March 3rd 2017. PICTURED: A woman passes Robert Rauschenberg's 'Transom', oil and silkscreen ink on canvas, painted in 1963, which is expected to fetch between £4-6 million. Fine art auctioneers Christies hold a press preview for their Post-War and Contemporary Art auctions to be held on March 7th and 8th.
    Christies-post-war-contemp-preview02...jpg
  • Christie's, London, March 3rd 2017. PICTURED: A woman photographs Jean Dubuffet's Étra et paraitre (To Be and To Seem), oil on canvass, which is expected to fetch between £7-10 million.<br />
Fine art auctioneers Christies hold a press preview for their Post-War and Contemporary Art auctions to be held on March 7th and 8th.
    Christies-post-war-contemp-preview02...jpg
  • Christie's, London, March 3rd 2017. PICTURED: Gallery workers straighten Jean Dubuffet's Étra et paraitre (To Be and To Seem), oil on canvass, which is expected to fetch between £7-10 million. <br />
Fine art auctioneers Christies hold a press preview for their Post-War and Contemporary Art auctions to be held on March 7th and 8th.
    Christies-post-war-contemp-preview02...jpg
  • Christie's, London, March 3rd 2017. PICTURED: Gallery workers straighten Jean Dubuffet's Étra et paraitre (To Be and To Seem), oil on canvass, which is expected to fetch between £7-10 million. <br />
Fine art auctioneers Christies hold a press preview for their Post-War and Contemporary Art auctions to be held on March 7th and 8th.
    Christies-post-war-contemp-preview02...jpg
  • Christie's, London, March 3rd 2017. PICTURED: A woman admires the pattern and detail in Gunther Uecker's 'Spirale I, Spirale II (Doppelspirale), nails and latex paint on canvas laid down on wood, in two parts, accompanied by an artist's architectural drawing, which is expected to fetch between £1-1.5 million.  <br />
Fine art auctioneers Christies hold a press preview for their Post-War and Contemporary Art auctions to be held on March 7th and 8th.
    Christies-post-war-contemp-preview02...jpg
  • Christie's, London, March 3rd 2017. PICTURED: A woman admires the pattern and detail in Gunther Uecker's 'Spirale I, Spirale II (Doppelspirale), nails and latex paint on canvas laid down on wood, in two parts, accompanied by an artist's architectural drawing, which is expected to fetch between £1-1.5 million. <br />
Fine art auctioneers Christies hold a press preview for their Post-War and Contemporary Art auctions to be held on March 7th and 8th.
    Christies-post-war-contemp-preview02...jpg
  • Christie's, London, March 3rd 2017. PICTURED: A woman admires the pattern and detail in Gunther Uecker's 'Spirale I, Spirale II (Doppelspirale), nails and latex paint on canvas laid down on wood, in two parts, accompanied by an artist's architectural drawing, which is expected to fetch between £1-1.5 million. <br />
Fine art auctioneers Christies hold a press preview for their Post-War and Contemporary Art auctions to be held on March 7th and 8th.
    Christies-post-war-contemp-preview01...jpg
  • Christie's, London, March 3rd 2017. PICTURED: A woman admires the pattern and detail in Gunther Uecker's 'Spirale I, Spirale II (Doppelspirale), nails and latex paint on canvas laid down on wood, in two parts, accompanied by an artist's architectural drawing, which is expected to fetch between £1-1.5 million.  <br />
Fine art auctioneers Christies hold a press preview for their Post-War and Contemporary Art auctions to be held on March 7th and 8th.
    Christies-post-war-contemp-preview02...jpg
  • Christie's, London, March 3rd 2017. PICTURED: A detail of Gunther Uecker's 'Spirale I, Spirale II (Doppelspirale), nails and latex paint on canvas laid down on wood, in two parts, accompanied by an artist's architectural drawing, which is expected to fetch between £1-1.5 million. <br />
Fine art auctioneers Christies hold a press preview for their Post-War and Contemporary Art auctions to be held on March 7th and 8th.
    Christies-post-war-contemp-preview01...jpg
  • Christie's, London, March 3rd 2017. PICTURED: A woman admires Gunther Uecker's 'Spirale I, Spirale II (Doppelspirale), nails and latex paint on canvas laid down on wood, in two parts, accompanied by an artist's architectural drawing, which is expected to fetch between £1-1.5 million. <br />
Fine art auctioneers Christies hold a press preview for their Post-War and Contemporary Art auctions to be held on March 7th and 8th.
    Christies-post-war-contemp-preview01...jpg
  • Christie's, London, March 3rd 2017. PICTURED: A detail shot of Gunther Uecker's 'Spirale I, Spirale II (Doppelspirale), nails and latex paint on canvas laid down on wood, in two parts, accompanied by an artist's architectural drawing, which is expected to fetch between £1-1.5 million. Fine art auctioneers Christies hold a press preview for their Post-War and Contemporary Art auctions to be held on March 7th and 8th.
    Christies-post-war-contemp-preview01...jpg
  • Christie's, London, March 3rd 2017. PICTURED: A woman admires Peter Doig's 'Coburg 3+1 More', painted in 1994 which is estimated to fetch between £8-12 million.  <br />
Fine art auctioneers Christies hold a press preview for their Post-War and Contemporary Art auctions to be held on March 7th and 8th.
    Christies-post-war-contemp-preview01...jpg
  • Christie's, London, March 3rd 2017. PICTURED: A woman admires Peter Doig's 'Coburg 3+1 More', painted in 1994 which is estimated to fetch between £8-12 million.  <br />
Fine art auctioneers Christies hold a press preview for their Post-War and Contemporary Art auctions to be held on March 7th and 8th.
    Christies-post-war-contemp-preview01...jpg
  • Christie's, London, March 3rd 2017. PICTURED: A woman admires Peter Doig's 'Coburg 3+1 More', painted in 1994 which is estimated to fetch between £8-12 million. <br />
Fine art auctioneers Christies hold a press preview for their Post-War and Contemporary Art auctions to be held on March 7th and 8th.
    Christies-post-war-contemp-preview00...jpg
  • Christie's, London, March 3rd 2017. PICTURED: A woman walks past Peter Doig's 'Coburg 3+1 More', painted in 1994 which is estimated to fetch between £8-12 million. <br />
Fine art auctioneers Christies hold a press preview for their Post-War and Contemporary Art auctions to be held on March 7th and 8th.
    Christies-post-war-contemp-preview01...jpg
  • Christie's, London, March 3rd 2017. PICTURED: A woman admires Peter Doig's 'Coburg 3+1 More', painted in 1994 which is estimated to fetch between £8-12 million.  <br />
Fine art auctioneers Christies hold a press preview for their Post-War and Contemporary Art auctions to be held on March 7th and 8th.
    Christies-post-war-contemp-preview01...jpg
  • Christie's, London, March 3rd 2017. PICTURED: Gallery staff straighten Mark Rothko's 'No.1', painted in 1949, which is expected to fetch between £8-12 million.  <br />
Fine art auctioneers Christies hold a press preview for their Post-War and Contemporary Art auctions to be held on March 7th and 8th.
    Christies-post-war-contemp-preview00...jpg
  • Christie's, London, March 3rd 2017. PICTURED: Gallery staff straighten Mark Rothko's 'No.1', painted in 1949, which is expected to fetch between £8-12 million.  <br />
Fine art auctioneers Christies hold a press preview for their Post-War and Contemporary Art auctions to be held on March 7th and 8th.
    Christies-post-war-contemp-preview00...jpg
  • Christie's, London, March 3rd 2017. PICTURED: Gallery staff straighten Mark Rothko's 'No.1', painted in 1949, which is expected to fetch between £8-12 million. <br />
Fine art auctioneers Christies hold a press preview for their Post-War and Contemporary Art auctions to be held on March 7th and 8th.
    Christies-post-war-contemp-preview00...jpg
  • Christie's, London, March 3rd 2017. PICTURED: Gallery staff straighten Mark Rothko's 'No.1', painted in 1949, which is expected to fetch between £8-12 million.<br />
Fine art auctioneers Christies hold a press preview for their Post-War and Contemporary Art auctions to be held on March 7th and 8th.
    Christies-post-war-contemp-preview00...jpg
  • Christie's, London, March 3rd 2017. PICTURED: Gallery staff straighten Mark Rothko's 'No.1', painted in 1949, which is expected to fetch between £8-12 million. <br />
Fine art auctioneers Christies hold a press preview for their Post-War and Contemporary Art auctions to be held on March 7th and 8th.
    Christies-post-war-contemp-preview00...jpg
  • The Smile, an art installation designed by architect Alison Brooks is the world’s first ‘mega tube made from wood’, a landmark project for the London Design Festival, is unveiled at Chelsea Art College in London. PICTURED: Creator of The Smile, architect Alison Brooks. ©Paul Davey<br />
FOR LICENCING CONTACT: Paul Davey +44 (0) 7966 016 296 paul@pauldaveycreative.co.uk
    2016-09-16-Smile-Art-Installation-00...jpg
  • The Smile, an art installation designed by architect Alison Brooks is the world’s first ‘mega tube made from wood’, a landmark project for the London Design Festival, is unveiled at Chelsea Art College in London. Dancers perform as The Smile is unveiled to the public. ©Paul Davey<br />
FOR LICENCING CONTACT: Paul Davey +44 (0) 7966 016 296 paul@pauldaveycreative.co.uk
    2016-09-16-Smile-Art-Installation-01...jpg
  • The Smile, an art installation designed by architect Alison Brooks is the world’s first ‘mega tube made from wood’, a landmark project for the London Design Festival, is unveiled at Chelsea Art College in London.  ©Paul Davey<br />
FOR LICENCING CONTACT: Paul Davey +44 (0) 7966 016 296 paul@pauldaveycreative.co.uk
    2016-09-16-Smile-Art-Installation-00...jpg
  • The Smile, an art installation designed by architect Alison Brooks is the world’s first ‘mega tube made from wood’, a landmark project for the London Design Festival, is unveiled at Chelsea Art College in London.  ©Paul Davey<br />
FOR LICENCING CONTACT: Paul Davey +44 (0) 7966 016 296 paul@pauldaveycreative.co.uk
    2016-09-16-Smile-Art-Installation-00...jpg
  • The Smile, an art installation designed by architect Alison Brooks is the world’s first ‘mega tube made from wood’, a landmark project for the London Design Festival, is unveiled at Chelsea Art College in London.  ©Paul Davey<br />
FOR LICENCING CONTACT: Paul Davey +44 (0) 7966 016 296 paul@pauldaveycreative.co.uk
    2016-09-16-Smile-Art-Installation-00...jpg
  • The Smile, an art installation designed by architect Alison Brooks is the world’s first ‘mega tube made from wood’, a landmark project for the London Design Festival, is unveiled at Chelsea Art College in London.  ©Paul Davey<br />
FOR LICENCING CONTACT: Paul Davey +44 (0) 7966 016 296 paul@pauldaveycreative.co.uk
    2016-09-16-Smile-Art-Installation-00...jpg
  • The Smile, an art installation designed by architect Alison Brooks is the world’s first ‘mega tube made from wood’, a landmark project for the London Design Festival, is unveiled at Chelsea Art College in London.  PICTURED: Architect Alison Brooks is dwarfed by her structure as she stands in the entrance. ©Paul Davey<br />
FOR LICENCING CONTACT: Paul Davey +44 (0) 7966 016 296 paul@pauldaveycreative.co.uk
    2016-09-16-Smile-Art-Installation-00...jpg
  • The Smile, an art installation designed by architect Alison Brooks is the world’s first ‘mega tube made from wood’, a landmark project for the London Design Festival, is unveiled at Chelsea Art College in London.  ©Paul Davey<br />
FOR LICENCING CONTACT: Paul Davey +44 (0) 7966 016 296 paul@pauldaveycreative.co.uk
    2016-09-16-Smile-Art-Installation-00...jpg
  • The Smile, an art installation designed by architect Alison Brooks is the world’s first ‘mega tube made from wood’, a landmark project for the London Design Festival, is unveiled at Chelsea Art College in London.  ©Paul Davey<br />
FOR LICENCING CONTACT: Paul Davey +44 (0) 7966 016 296 paul@pauldaveycreative.co.uk
    2016-09-16-Smile-Art-Installation-00...jpg
  • Somerset House, London, September 21st 2015. Faye Toogood in her installation The Drawing Room at Somerset House as part of the London Design Festival which runs between September 19th and 27th with a series of artworks and installations created through the collaborations of internationally renowned designers and brands.  // Contact: paul@pauldaveycreative.co.uk Mobile 07966 016 296
    London-Design-Festival-9782.jpg
  • Somerset House, London, September 21st 2015. Faye Toogood in her installation The Drawing Room at Somerset House as part of the London Design Festival which runs between September 19th and 27th with a series of artworks and installations created through the collaborations of internationally renowned designers and brands.  // Contact: paul@pauldaveycreative.co.uk Mobile 07966 016 296
    London-Design-Festival-9768.jpg
  • Somerset House, London, September 21st 2015. Faye Toogood in her installation The Drawing Room at Somerset House as part of the London Design Festival which runs between September 19th and 27th with a series of artworks and installations created through the collaborations of internationally renowned designers and brands.  // Contact: paul@pauldaveycreative.co.uk Mobile 07966 016 296
    London-Design-Festival-9764.jpg
  • Somerset House, London, September 21st 2015. Faye Toogood in her installation The Drawing Room at Somerset House as part of the London Design Festival which runs between September 19th and 27th with a series of artworks and installations created through the collaborations of internationally renowned designers and brands.  // Contact: paul@pauldaveycreative.co.uk Mobile 07966 016 296
    London-Design-Festival-9749.jpg
  • Somerset House, London, September 21st 2015. Faye Toogood in her installation The Drawing Room at Somerset House as part of the London Design Festival which runs between September 19th and 27th with a series of artworks and installations created through the collaborations of internationally renowned designers and brands.  // Contact: paul@pauldaveycreative.co.uk Mobile 07966 016 296
    London-Design-Festival-9740.jpg
  • Somerset House, London, September 21st 2015. Faye Toogood in her installation The Drawing Room at Somerset House as part of the London Design Festival which runs between September 19th and 27th with a series of artworks and installations created through the collaborations of internationally renowned designers and brands.  // Contact: paul@pauldaveycreative.co.uk Mobile 07966 016 296
    London-Design-Festival-9735.jpg
  • Somerset House, London, September 21st 2015. Santa Barbara -based designer Alex Rasmussen's Giant Wave which uses 7-- anodised aluminium panels thtreflect the colour and atmosphere of the Pacific Ocean, at Somerset House as part of the London Design Festival, which runs between September 19th and 27th with a series of artworks and installations created through the collaborations of internationally renowned designers and brands.  // Contact: paul@pauldaveycreative.co.uk Mobile 07966 016 296
    London-Design-Festival-9721.jpg
  • Somerset House, London, September 21st 2015. Pictured: Connected by Pattern, a collaboration by Paternity at Somerset House as part of the London Design Festival which runs between September 19th and 27th with a series of artworks and installations created through the collaborations of internationally renowned designers and brands.  // Contact: paul@pauldaveycreative.co.uk Mobile 07966 016 296
    London-Design-Festival-9592.jpg
  • Somerset House, London, September 21st 2015. Santa Barbara -based designer Alex Rasmussen's Giant Wave which uses 7-- anodised aluminium panels thtreflect the colour and atmosphere of the Pacific Ocean, at Somerset House as part of the London Design Festival, which runs between September 19th and 27th with a series of artworks and installations created through the collaborations of internationally renowned designers and brands.  // Contact: paul@pauldaveycreative.co.uk Mobile 07966 016 296
    London-Design-Festival-9702.jpg
  • Somerset House, London, September 21st 2015. Santa Barbara -based designer Alex Rasmussen's Giant Wave which uses 7-- anodised aluminium panels thtreflect the colour and atmosphere of the Pacific Ocean, at Somerset House as part of the London Design Festival, which runs between September 19th and 27th with a series of artworks and installations created through the collaborations of internationally renowned designers and brands.  // Contact: paul@pauldaveycreative.co.uk Mobile 07966 016 296
    London-Design-Festival-9631.jpg
  • Somerset House, London, September 21st 2015. Pictured: Connected by Pattern, a collaboration by Paternity at Somerset House as part of the London Design Festival which runs between September 19th and 27th with a series of artworks and installations created through the collaborations of internationally renowned designers and brands.  // Contact: paul@pauldaveycreative.co.uk Mobile 07966 016 296
    London-Design-Festival-9616.jpg
  • Somerset House, London, September 21st 2015. Pictured: Connected by Pattern, a collaboration by Paternity at Somerset House as part of the London Design Festival which runs between September 19th and 27th with a series of artworks and installations created through the collaborations of internationally renowned designers and brands.  // Contact: paul@pauldaveycreative.co.uk Mobile 07966 016 296
    London-Design-Festival-9610.jpg
  • Somerset House, London, September 21st 2015. Pictured: Connected by Pattern, a collaboration by Paternity at Somerset House as part of the London Design Festival which runs between September 19th and 27th with a series of artworks and installations created through the collaborations of internationally renowned designers and brands.  // Contact: paul@pauldaveycreative.co.uk Mobile 07966 016 296
    London-Design-Festival-9608.jpg
  • Somerset House, London, September 21st 2015. Pictured: Connected by Pattern, a collaboration by Paternity at Somerset House as part of the London Design Festival which runs between September 19th and 27th with a series of artworks and installations created through the collaborations of internationally renowned designers and brands.  // Contact: paul@pauldaveycreative.co.uk Mobile 07966 016 296
    London-Design-Festival-9600.jpg
  • Somerset House, London, September 21st 2015. Pictured: Connected by Pattern, a collaboration by Paternity at Somerset House as part of the London Design Festival which runs between September 19th and 27th with a series of artworks and installations created through the collaborations of internationally renowned designers and brands.  // Contact: paul@pauldaveycreative.co.uk Mobile 07966 016 296
    London-Design-Festival-9589.jpg
  • Somerset House, London, September 21st 2015. Pictured: A woman adjusts "Transparency; Warm/Wet" designed by Melkan Gursel of Tabanlioglu Architects at Somerset House as part of the London Design Festival which runs between September 19th and 27th with a series of artworks and installations created through the collaborations of internationally renowned designers and brands.  // Contact: paul@pauldaveycreative.co.uk Mobile 07966 016 296
    London-Design-Festival-9515.jpg
  • London, September 29 2017. A gallery assistant polishes Marc Newson's  A Lochkeed Lounge (£1-1.5million) to be auctioned during the Masterpieces of Design and Photography sale in London on 3rd October 2017. © Paul Davey
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  • London, September 29 2017. A gallery assistant polishes Marc Newson's Event Horizon Table, estimated at between £100,000 - 150,000), with  Wolfgang Tillman's Urgency XVI, estimated to fetch between £300,000 - 500,000 in the background at Christie's Masterpieces of Design and Photography sale in London on 3rd October 2017. © Paul Davey
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  • London, September 29 2017. A member of Christie's staff adjusts the positioning of Alberto Giacometti's Homme (Apollon) sculpture in bronze with a golden brown patina on, which is expected to fetch between £800,000 and 1.2million at auction on October 3rd during Frieze Week at Christie's in London. © Paul Davey
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  • Christie's, London, March 3rd 2017. PICTURED: Gallery visitors admire Peter Doig's 'Cobourg 3 + 1 More' which is expected to fetch between £8-12 million.  Fine art auctioneers Christies hold a press preview for their Post-War and Contemporary Art auctions to be held on March 7th and 8th.
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  • Christie's, London, March 3rd 2017. PICTURED: A woman admires David Hockney's 'Sunflowers In A Yellow Vase', painted in 1996, which is expected to fetch between £1.5-2.5 million. <br />
Fine art auctioneers Christies hold a press preview for their Post-War and Contemporary Art auctions to be held on March 7th and 8th.
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  • Christie's, London, March 3rd 2017. PICTURED: Gallery staff straighten Robert Rauschenberg's 'Transom', oil and silkscreen ink on canvas, painted in 1963, which is expected to fetch between £4-6 million. <br />
Fine art auctioneers Christies hold a press preview for their Post-War and Contemporary Art auctions to be held on March 7th and 8th.
    Christies-post-war-contemp-preview02...jpg
  • Christie's, London, March 3rd 2017. PICTURED: A gallery worker straightens Jean-Michel Basquait's Untitled piece from 1982, oil stick on paper, with is expected to fetch between £1-1.5million. <br />
Fine art auctioneers Christies hold a press preview for their Post-War and Contemporary Art auctions to be held on March 7th and 8th.
    Christies-post-war-contemp-preview02...jpg
  • Christie's, London, March 3rd 2017. PICTURED: A woman admires the pattern and detail in Gunther Uecker's 'Spirale I, Spirale II (Doppelspirale), nails and latex paint on canvas laid down on wood, in two parts, accompanied by an artist's architectural drawing, which is expected to fetch between £1-1.5 million.  <br />
Fine art auctioneers Christies hold a press preview for their Post-War and Contemporary Art auctions to be held on March 7th and 8th.
    Christies-post-war-contemp-preview01...jpg
  • Christie's, London, March 3rd 2017. PICTURED: A woman admires Peter Doig's 'Coburg 3+1 More', painted in 1994 which is estimated to fetch between £8-12 million.  <br />
Fine art auctioneers Christies hold a press preview for their Post-War and Contemporary Art auctions to be held on March 7th and 8th.
    Christies-post-war-contemp-preview01...jpg
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